“It’s like we left all our baggage at home and just brought our
instruments.”--Ketch Secor, (Old Crow Medicine Show), in Big Easy Express
A train embarking on more than 2,000 miles of open countryside
between Oakland, California and New Orleans, Louisiana, holds a lifetime of
musical memories.
The steel-driving force of this trip was not the engine going
full steam ahead, but rather the Railroad Revival filling the train’s
cars.
All aboard this glory-bound train were London’s Mumford and Sons, Nashville’s own Old Crow Medicine Show, and Los
Angeles-based Edward Sharpe
& the Magnetic Zeros.
With thousands of miles to conquer in a week and a half, six
cities to perform in, and a train full of talent, the saying “The sky’s the
limit,” becomes a bit of an understatement. The trip of a lifetime? Perhaps.
Old Crow Medicine Show fiddle player/vocalist, Ketch Secor says,
“Definitely the trip of a lifetime. I've been a touring musician for something
like 15 years and I've never experienced a more dream-come-true tour.”
Fortunately, film director Emmett Malloy (The White Stripes
Under Great White Northern Lights, Out Cold, Thicker Than Water)
was on board this magical mystery train to catch a glimpse into the world of
these folk gurus.
The picturesque scenery and vintage feel of the train reflected
throughout the film are only the beginning of this rail-riding adventure.
Malloy captures the euphoric, late night jam sessions--performances at the
stops along the way where people poured in by the thousands--and the kindred
friendships that grew deeper as the journey continued. While the film does have
interviews with members of each band, this film truly is all about the music.
The raw talent these musicians have individually is undeniable,
but combined they are a force to be reckoned with.
“Charged up with a full head of steam and set loose rolling down
the mountain like a cannonball,” is how Secor paints the picture of what is was
like being on board the train.
Edward Sharpe and the Magnetic Zero’s lead vocalist, Alex Ebert
defines the tour as, “Electric, child-realized magic.”
These three bands with different backgrounds from very different
places learned that they all effortlessly became one when it came to the music.
“It was like meeting old friends for the first time,” describes Secor.
Ebert says the camaraderie was, “Inspiring...it shook the very
notion of being a musician to me. So much music was being played so often, more
than any other thing, more than sleeping, more than eating--BEING music.
It was a profound experience.”
Fond memories were clearly made throughout this trip. For Ebert,
the experience of just being on board the train was a memory in and of itself.
“Walking from one car to the next--shaky, in between cars--the
loud gasps of rumbling air, smiling at someone because it was too loud to yell
'Hi!', enjoying a sunset or landscape with them for a moment and then suddenly
entering the next pocket of music-- of company.”
Secor reflects back on memories from being a child. “Having my
father out there with me was pretty special. He is a real railroad enthusiast
and raised us kids up riding Amtrak trains. Being in some of those vintage
railcars with him, especially the diner, was like stepping back into my own
childhood again.”
After ten days of travel across the U.S., the train that became
home to these bands dropped its passengers off for the last time in New Orleans
for the final performance.
As the journey concluded, Secor recalls, “After a few nights on
board, you get train legs and regular ground just don’t feel quite
right."
Before the trip would completely come to an end, of course there
had to be one good night of partying in N’awlins before everyone parted ways.
And party they did.
“I love New Orleans--got very drunk in NOLA,” explains Ebert.
“Marcus (Mumford) eventually corralled some of us more drunk fellows up to the
roof, and we jumped into the pool just before dawn. It was ecstatic. We
then tumbled soggy to our rooms. I did lose my hat on that roof though, I
think...”
The film made its debut to the world when it premiered in
Austin, Texas on March 17th. After the screening of the film, the bands
reunited and performed a free set for those who came.
“It was very good to see so many of the folks again,” say Ebert.
“We played a few songs on the movie stage, including the song we wrote about
the train--nearly choked up.”
The
good news is that the film, Big Easy Express, will be making a pit stop
in Nashville. On April 26th--the closing night of the Nashville Film
Festival--there will be a screening of the film. For more information, check
out the Nashville Film Festival
website.